"But he has nothing on at all," said a little child at last. "Good heavens! listen to the voice of an innocent child," said the father, and one whispered to the other what the child had said. "But he has nothing on at all," cried at last the whole people. That made a deep impression upon the emperor, for it seemed to him that they were right; but he thought to himself, "Now I must bear up to the end." And the chamberlains walked with still greater dignity, as if they carried train which did not exist."

(from 'The Emperor's New Suit,' 1837)

Danish writer, famous for his fairy tales, which were not meant merely for children but for adults as well. Andersen used frequently colloquial style that disguises the sophisticated moral teachings of his tales. Before achieving success as a playwright and novelist, Andersen was trained as singer and actor. Many of Andersen's fairy tales depict characters who gain happiness in life after suffering and conflicts. 'The Ugly Duckling' is Andersen's most confessional work.

Hans Christian Andersen was born in the slums of Odense. His father was a poor shoemaker and literate, but he believed he was of aristocratic origin. Andersen’s mother, who worked as washerwoman, was uneducated and superstitious, but she opened for his son the world of folklore. Andersen’s half-sister worked as a prostitute for a time. Andersen received little education, and as a child he was highly emotional, suffering all kinds of fears and humiliations because of his tallness and effeminate interests. Andersen’s hysterical attacks of cramps were falsely diagnosed as epileptic fits. Encouraged by his parents he composed his own fairy tales and arrange puppet theatre shows.His father loved literatuire and took Andersen often to the playhouse.

In 1816 his father died and Andersen was forced to go to work. He was for a short time apprenticed to a weaver and tailor, and he also worked at a tobacco factory. Once his trousers were pulled down when other workers suspected that he was a girl. At the age of 14 Andersen moved to Copenhagen to start a career as a singer, dancer or an actor - he had a beautiful soprano voice. The following three years were full of hardships although he found supporters who paved his way to the theatre. Andersen succeeded in becoming associated with the Royal Theater, but he had to leave it when his voice began to change. When he was casually referred as a poet it changed his plans: “It went through me, body and soul, and tears filled my eyes. I knew that, from this very moment, my mind was awake to writing and poetry.” He then began to write plays, all of which were rejected.

In 1822 Jonas Collin, one of the directors of the Royal Theatre and an influential government official, gave Andersen a grant to enter the grammar school at Slagelse. He lived in the home of the school headmaster Meisling, who was annoyed at the oversensitive student and tried to harden his character. Other pupils were much younger, 11-year-olds, among whom six years older Andersen was definitely overgrown. His appearance drew also unvanted attention - he had a long nose and close-set eyes.

Collin arranged in 1827 a private tuition for Andersen. He gained admission to Copenhagen University, where he completed his education. In 1828 Andersen wrote a travel sketch, FODREJSE FRA HOLMENS KANAL TIL ?STPYNTEN AF AMAGER, a fantastic tale in the style of the German Romantic writer E.T.A. Hoffmann. Jacob and Wilhelm Grimm’s Children’s and Household Tales had appeared between 1812 and 1815, but they were based on original folktales. Andersen’s poem ‘The Dying Child’, was published in a Copenhagen journal and the Royal Theatre produced in 1829 his musical drama. PHANTASIER OG SKISSER, a collection of poems, was born when Andersen fell in love with Riborg Voight, who was engaged. Edvard, Jonas Collin’s son, was for Andersen another object of unfulfilled dreams.

In succeeding years he also wrote impressionistic prose arabesques, plays, and novels. From 1831 onwards he travelled widely in Europe, and remained a passionate traveller all his life. A visit to Germany in 1831 inspired the first of his many travel sketches. He later wrote sketches about Sweden, Spain, Italy, Portugal, and the Middle East. During his journeys Andersen met in Paris among others Victor Hugo, Heinrich Heine, Balzac, and Alexandre Dumas. A Poet’s Day Dreams (1853) Andersen dedicated to Charles Dickens, whom he met in London in 1847. And in Rome he met the young Norwegian writer Bj?rnson.

As a novelist Andersen made his breakthrough with The Improvisatore (1835), using Italy as the setting. The story was autobiographical and depicted a poor boy’s integration into society, an Ugly Duckling theme of self-discovery in which Andersen returned in several of his works. The book gained international success and during his life it remained the most widely read of all his works.

However, Andersen’s fame rests on his Fairy Tales and Stories, written between 1835 and 1872. Tales, Told for Children, appeared in a small, cheap booklet in 1835. In this and following early collections, which were published in every Christmas, Andersen returned to the stories which he had heard as a child, but gradually he started to create his own tales. The third volume of his tales, published in 1837, contained ‘The Little Mermaid’ and ‘The Emperor’s New Clothes.’ Among Andersen’s other best known fairy tales are ‘Little Ugly Duckling,’ ‘The Tinderbox,’ ‘Little Claus and Big Claus,’ ‘Princess and the Pea,’ ‘The Snow Queen,’ The Nightingale,’ and ‘The Steadfast Tin Soldier.’

In his fairy tale collections Andersen broke new ground in both style and content, and employed the idioms and constructions of spoken language in a way that was new in Danish writing. When fairy tales at his time were didactic, he brought into them ambiguity. His identification with the unfortunate and outcast made his tales very compelling. Some of Andersen’s tales revealed an optimistic belief in the triumph of the good, among them ‘The Snow Queen’ and ‘Little Ugly Duckling’, and some ended unhappily, like ‘The Little Match Girl.’ In ‘The Little Mermaid’ the author expressed a longing for ordinary life - he never had such. In the story the youngest of six mermaid precesses longs after the land above the sea, but the fulfillment of the dream causes her much pain. “She knew this was the last evening she would ever see him for whom she had forsaken her kindred and her home, given up her lovely voice, and daily suffered unending torment - and he had no idea of it. This was the last night she would breathe the same air as he, or look upon the deep sea and the starry blue sky; an everlasting night without thoughts or dreams waited her, for she had no soul and could not gain one.” (trans. L.W. Kingsland) Andersen’s tales were translated throughout Europe, with four editions appearing in the UK in 1846 alone. His works influenced among others Charles Dickens (’A Christmas Carol in Prose,’ ‘The Chimes,’ ‘The Cricket on the Hearth.’ ‘The Haunted Man and the Ghost’s Bargain’), Willam Thackeray and Oscar Wilde (’The Happy Prince,’ ‘The Nightingale and the Rose,’ ‘The Fisherman and His Soul’), C.S. Lewis, Isak Dinesen, P.O. Enquist, whose play, Rainsnakes, was about Andersen, Cees Noteboom, and a number of other writers. Elias Bredsdorff has complained in his book Hans Christian Andersen: The Story of His Life and Work (1975), that Andersen’s tales have been bowdlerized and sweetened by Victorian British translators.

Between the years 1840 and 1857 Andersen made journeys throughout Europa, Asia Minor, and Africa, recording his impressions and adventures in a number of travel books. He wrote and rewrote his memoirs, The Fairy Tale of My Life, but the standard edition is generally considered the 1855 edition. Andersen died in his home in Rolighed on August 4, 1875. Edvard Collin and his wife were later buried with Andersen. However, their family members moved the Collins’ bodies after some years to the family plot in another cemetery. Andersen never married. His last unfilled love was the singer Jenny Lind, who inspired ‘The Nightingale.’

Selected works:

DIGTE, 1829, 1832, 1850

FODREJSE FRA HOLMENS KANAL TIL ?STPYNTEN AF AMAGER I AARENE 1828 OG 1829, 1829 - A Walk from Homen’s Canal to the East Point of Island of Amager in the Years 1828 and 1829

SKYGGEBILLEDER AF EN REJSE TIL HARZEN, 1832

IMPROVISATOREN, 1835 - The Improviser

EVENTYR, FORTALTE FOR B?RN, 1835-37 - Tales, Told for Children

O.T., 1836

KUN EN SPILLEMAND, 1837 - Only a Fiddler

EVENTYR, 1837

MULATTEN, 1840 - The Mulatto

BILLEDBOG UDEN BILLEDER, 1840 - A Picture-book Without Pictures

EN DIGTERS BAZAAR, 1842 - A Poet’s Bazaar

M?RCHEN MEINES LEBENS, 1845

DE TO BARONESSER, 1848 - The Two Baronesses

I SVERRIGE, 1851 - Pictures of Sweden

HISTORIER, 1852

SAMLADE VAERKER, 1854-79 (33 vols.)

AT V?RE DELLER IKKE V?RE, 1857 - To Be or Not to Be

NYE EVENTYR OG HISTORIER, 1858-72 - New Fairy Tales and Stories

I SPANIEN, 1863 - In Spain

A Vistit to Portugal, 1866

LYKKE-PEER, 1870 - Lucky Peer

MIT LIVS EVENTYR, 1855 - The Fairy Tale of My Life

ANDERSIANA, 1933-46

DAGB?GER 1825-1875, 1971-77 - The Diaries of Hans Christian Andersen (ed. by Patricia L. Conroy, Sven H. Rossel)

Andersen’s Fairy Tales, 1988

Resources:

1.Hans Christian Andersen by Rumer Godden (1955)

2.Hans Christian Andersen: The Story of His Life and Work 1805-75 by Elias Brendsdorff (1975)

3.Hans Christian Andersen: Danish Writer And Citizen Of The World by Sven Hakon Rossel (1996)

Tag: Hans Christian Andersen